UK occult publishing house Scarlet Imprint have announced their publication plans for 2025EV:
Looking ahead to our publications for the coming year, we have decided to delay opening the pre-order for Lucifer: Praxis, as we are running behind schedule and need to take a couple of weeks over Yule to recover. Praxis will be our first title of 2025. At the same time we will issue a second hardback edition of Lucifer: Princeps.
If you are looking for something to read over the festive season, Peter’s Substack – The Adder in the Churchyard Wall – is the home of his writing online.
Frater Acher’s Collectanea Goetica, will bring together in two volumes his goetic texts, previously issued in very limited editions or unpublished: Clavis Goetica, Goetic Atavisms, Goetic Grammarye, Goetic Commonsense, and Goetic Deviance/Defiance, with a new foreword. These works represent the evolution of a contemporary goetic practice, following the example of Jake Stratton-Kent.
Sussex Coils and Loops by Paul Holman is our second title with the poet, following Tara Morgana (2014). Holman’s work documents a series of ritual actions performed at sites associated with serpent and dragon legends in Sussex from the winter solstice of 2017 until the summer solstice of 2022.
Modern Green Gnosis by Anastasha Verde is shaped by her decades of work in the plant ecological sciences, magic and witchcraft. Answering the need for an approach grounded in animism, Verde opens a new path that elevates human and plant partners and their allies alike, and leads us to a profound green gnosis and a living botanical praxis.
Evil: A Study in Lost Techniques by philosopher Jason Bahbak Mohaghegh is a mapping of evil in its minor prisms of fascination through an infinitely complex set of micro-techniques. A rare work of sustained intensity.
Volume II of Christophe Poncet’s The Tarot of Marsilio – Higher takes us further into Poncet’s inquiry into the origins of the Tarot de Marseille, looking at the fourteen remaining arcana, comparing them with images of the period, and analysing them in the light of the works of Marsilio Ficino and his contemporaries.
